FUNKO Hints at the 1966 BATMAN Variants to Come
Well the show’s opening title did say, “Batman: In Color.”
Coming in November: A BATMAN Series for the Fan in All of Us
Kurt Busiek and John Paul Leon follow up Secret Identity…
SNEAK PEEK — Coming in February… The first-rate The Batman: Second Knight, by Dan Jurgens, Mike Perkins and Mike Spicer, wraps in February and we’re finally getting a look at both variant covers, each of which leans into the noir atmosphere of the DC Black Label miniseries. There’s the previously released Stephanie Hans cover, which spotlights sexy Bruce Wayne… … and one by Marc Aspinall, which captures a very old-school looking Superman. This one has only been released to retailers so far: As a reminder, here’s the solicitation info, along with the main, previously released Perkins cover, plus the newly revealed back cover of the main edition. THE BAT-MAN SECOND KNIGHT #3 (OF 3) CVR A MIKE PERKINS (MR) (W) Dan Jurgens (A/CA) Mike Perkins DAN JURGENS AND MIKE PERKINS RACE TOWARD THE ENDGAME FOR GOTHAM CITY! A cloud of fear has settled over the city, and the Scarecrow has the people of Gotham right where he wants them. Jim Gordon will take the fight right to Scarecrow’s seat of power…City Hall! But will Gordon have to challenge him on his own? Where’s the Bat-Man? The Dark Knight has found himself staring down a power unlike any he’s ever seen: a man of unlimited strength. A superman. And he has a lot of questions for the Caped Crusader. Will these two find common ground in time to thwart the Scarecrow and Hangman’s endgame? 48 Pages Retail: $6.99 (The card-stock variants are $7.99) In-Store Date: 2/25/2026 — MORE — FIRST LOOK: The BAT-MAN Meets SUPERMAN in February’s SECOND KNIGHT Finale. Click here. — BATMAN: DC Sets Dates for April DARK KNIGHT and YEAR TWO Facsimiles. Click...
A BIRTHDAY TRIBUTE to the comics auteur… By JASON CZERNICH Love it or hate it, 1986 was a watershed year for comics. The medium 40 years ago gained a higher mainstream media profile as it experienced a tonal shift in the superhero genre. One of the creators largely responsible for this new direction was Frank Miller, who was born Jan. 27, 1957. Here are 13 REASONS 1986 was the most significant year in comics for this legendary writer/artist: — 1. Miller Built on Past Successes. By the time 1986 rolled around, Miller already had an impressive track record, having revitalized Daredevil at Marvel in the late ’70s/early ’80s and published Ronin through DC Comics in 1983. Achieving critical success at the top two publishers put Miller in an advantageous position to produce even more groundbreaking works for them. — 2. Daredevil: Love & War. Miller returned to the character he made his bones with in this excellent graphic novel, filled with expressive, painted art by Bill Sienkiewicz. This one-off story heightened the ongoing war between Daredevil and the Kingpin but was often glossed over during its initial release, in light of Miller’s other projects in 1986. In recent years, however, it’s been reprinted in different formats, and people are discovering this hidden gem while appreciating how it fits into the larger Man Without Fear saga that Miller had been creating. This work also showed just how much Miller had evolved as a writer since his earlier breakout work with Matt Murdock. — 3. Elektra: Assassin. This miniseries was another Miller/Sienkiewicz collaboration that pushed into more experimental territory and felt like, quite possibly, Miller’s most surreal foray into sequential art up until that point. Miller wasn’t just putting out high-quality work in 1986 — he was pushing the boundaries of what was possible in the comic book medium. — 4. Daredevil: Born Again. Along with artist David Mazzucchelli, Miller crafted what many readers and critics consider to be Daredevil’s signature tale. This deconstruction and reconstruction of the Man Without Fear’s world helped influence similar approaches to other mainstream comics characters, something that was particularly utilized at DC and Marvel in the ’90s, with mixed success. — 5. Batman: Year One. Pairing with Mazzucchelli again later that year, Miller penned what many in the comics industry believe to be the Caped...
Well the show’s opening title did say, “Batman: In Color.”
Kurt Busiek and John Paul Leon follow up Secret Identity…