REEL RETRO CINEMA: New looks at old flicks — and their comic-book adaptations! — UPDATED 1/16/20: Caroline Munro turns 71 today. This piece first ran in 2016 but it’s as fitting now as it was then. Enjoy. — Dan — OK, so there’s a special reason Rob Kelly’s latest REEL RETRO CINEMA column is focused on this Sunday-matinee staple. See, over the last year or so, ever since Sir Christopher Lee died, he and Caroline Munro have become minor obsessions of mine. It’s because I’m convinced that the two of them should have been Ra’s al Ghul and Talia in a ’70s Batman movie that should have been made but wasn’t. (Read about that here.) This is an idea that goes back to childhood. (Read about that here.) Anyway, we’re right now in the thick of NEAL ADAMS MONTH (again, click here) in which the legendary artist provides us with daily commentary on every variant cover he’s done for DC in February, each one based on one of his Bronze or Silver Age classics. But during our lengthy discussions, I made sure to ask him about the Lee-Munro idea — and he was really into it. (You can read about that here.) So the timing seemed right to revisit The Golden Voyage of Sinbad in all its Munrovian glory… — Dan — By ROB KELLY “Trust in Allah, but tie up your camel.” 1973’s “The Golden Voyage of Sinbad” was producer Charles H. Schneer and Ray Harryhausen’s second Sinbad film, following 1958’s The 7th Voyage of Sinbad. This time around, John Phillip Law (Diabolik himself!) plays the world-traveling, sword-wielding adventurer. Let’s set sail! Directed by Gordon Hessler (who helmed many fine films, plus KISS Meets The Phantom of the Park), the movie opens aboard Sinbad’s ship as it cruises the high seas. A small winged homunculus flies above, dropping a golden tablet. Sinbad wears it around his neck, and that night has a strange vision of a mysterious woman with an eye tattooed on her hand. A strange storm blows the ship off course, and Sinbad and his crew find themselves at a coastal town in the country of Marabia. While on land, Sinbad is accosted by a stranger in black who demands the tablet, showing off his sword for emphasis. Sinbad refuses, escaping to the city. There he...