The TOP 13 STORIES From JOHN BYRNE’s Last Year on the SUPERMAN Titles

The new Man of Steel Absolute Edition gives us the beginning. This is how it ended…

By AARON HAMMONDS

Anyone who’s read my pieces for 13th Dimension knows how important the Byrne era of Superman is to me; he’s the guy who made me a Supeman fan. For just over two years, he was the chief architect of a new era for the Man of Steel, and in a way, he arguably had even more control during the second half of his tenure.

With Marv Wolfman’s departure from The Adventures of Superman after #435, Byrne became the sole writer of the Super-titles. (Jerry Ordway assisting as co-plotter on Adventures primed him to take over that series after Byrne’s departure). Even after Action Comics became a weekly anthology with #601, Byrne was still quite a busy fellow.

In June, I wrote a 40th anniversary tribute to Byrne’s landmark 1986 Man of Steel miniseries, and for his 76th birthday in July, I followed up with the TOP 13 SUPERMAN STORIES from his first 13 months helming the Metropolis Marvel.

Now, with this week’s release of Superman: The Man of Steel by John Byrne Absolute Edition — click here for a SNEAK PEEK — we finish things off with the TOP 13 STORIES from Byrne’s final year in Metropolis.

—

1. Superman #11. I loved Byrne’s re-introduction of classic characters from the Golden and Silver Ages into the modern Superman mythos and this was one of the best. Lois is almost literally swept off her feet by handsome, broad-shouldered Ben DeRoy, who dresses like he just stepped off a Miami Vice episode. Somehow, everywhere he goes, DeRoy has a way of making things happen: an obnoxious smoker’s cigar bursts into flames in his hand, a child’s toy gorilla becomes frighteningly alive, and he then animates a mannequin, transforming Lois into plastic to take her place.

Of course, the cover had already given the surprise away: This is the post-Crisis introduction of one of Superman’s oldest foes, Mr. Mxyzptlk. Superman has to deal with a semi behaving like a bucking bronco and the Daily Planet building acting like a toddler before finally getting Mxyzptlk to go home. Ah, Silver-Age zaniness with a modern twist; I loved it.

—

2. The Adventures of Superman #434. Marv Wolfman’s penultimate issue of Adventures was a typically well-written tale containing everything at which Wolfman excelled: family crisis (Perry and Alice having to bail Jerry out of jail and worrying that he’s slipping further into Metropolis’s underworld); relationship drama (Cat possibly having to move to New York to win joint custody of her son and wishing Clark would consider moving there with her); and hard-hitting investigative journalism (Perry assigning Lois and Clark to find Luthor’s connection to Jerry’s kidnapping and coercion into participating in a recent robbery).

All of this pales in comparison to the most important element of this issue: on his way out the door, Wolfman casually introduced a little character called Gangbuster, who will have connections to some of the biggest plot developments and storylines over the next several years (from Exile, to Bibbo winning the lottery, to Funeral for a Friend).

—

3. Action Comics #594. In the spring of 1986, a couple of months before The Man of Steel began reshaping the landscape, Superman met Booster Gold, the first post-Crisis DC character, for a knock-down, drag-out battle royale. Round 2! Booster Gold destroys a statue of Superman and starts giving speeches condemning his actions in Qurac several months back, even kidnapping the mayor’s daughter and torturing her to force Superman into a confrontation.

The fight eventually drags over into Booster Gold #23 and a startling reveal as to the true culprit behind these attacks. I love this one because I was a huge Booster Gold fan, and more importantly, for the opening scene where Superman meets Batman and Robin in Gotham to hand them a mysterious scrapbook Clark Kent received in the mail (we the readers know it’s Ma Kent’s scrapbook of Clark’s exploits as humanity’s anonymous “guardian angel” and later as Superman) for investigation; the results of Batman’s inquiries are revealed in The Adventures of Superman #440.

—

4. Superman #12. Call me a hopeless romantic, but I really enjoy a good Superman love story (give me a great Lois and Clark Triangle Era yarn any day), and this is a modern retelling of one of the all-time classics from the Silver Age: Clark Kent’s courtship of Lori Lemaris, his lost love from college. If you don’t happen to know why their relationship was ill-fated, I won’t spoil it for you; let’s just say there’s something…fishy about Lori. Her return in the ’90s unfortunately undercut the tragic nature of her character, but setting that aside, this is a beautiful tale of the one who got away.

 

—

5. Action Comics #595. One of my favorite creations of John Byrne’s was introduced in this issue: the Silver Banshee! A woman who looks like the living personification of Death wanders the streets of Metropolis, a woman whose very voice is lethal. She kills several people who cross her path, and eventually seems to kill the Man of Steel, as well.

We see reactions from various members of the superhero community and the supporting cast (including a great scene of Luthor trashing his office because someone else beat him to it), and even a glimpse of Superman’s funeral (foreshadowing the Death of Superman and Funeral for a Friend a few years later), until a surprise guest purporting to be Superman’s ghost (!) shows up to fight the Silver Banshee from beyond the grave. Wonderfully silly hijinks ensue.

—

6. Superman #13. This was another re-introduction of a classic Superman villain, and, in my opinion, one of the better ones. Say hello to Winslow Schott, one of the most respected toymakers in Great Britain. When Schott is fired by his employers after decades of loyal service due to changing trends in the toy industry and his inability to adapt, he begins murdering his former employers as the Toyman. Guess what billionaire industrialist is next on his hit list?

I really liked the new Toyman; I just wish he hadn’t been taken down the road he travelled in the ’90s, the era of dark, grim and gritty. The last four pages serve to make this issue a Millennium tie-in; the less said about this, the better.

—

7. Action Comics #597. The team-up for this issue is actually Lois Lane and Lana Lang, who meet for the first time (cue George Costanza’s “Worlds Collide” speech from Seinfeld). Superman is in Smallville cleaning up the mess in the aftermath of Millennium (please don’t ask me to explain that nonsense) when Lois shows up investigating the event and finds him at the Kent farm talking to Lana. Lois almost figures out Clark’s secret until Jonathan gives an explanation for Superman’s presence that is not only ridiculous, but adds a new layer to Lois’ ongoing resentment of Clark for beating her to the first Superman exclusive all those years ago. The main things that recommend this story are the cover, Clark’s Metropolis world finally encountering his Smallville world, and the fact that this issue puts the final nail in the coffin of Millennium.

—

8. The Adventures of Superman #438. John Byrne’s first two issues of Adventures were saddled with the responsibility of being Millennium crossovers; this was the first issue where he had free rein, and he used it for another of his “classic character” re-introductions. One of Superman’s most iconic villains, Brainiac, is re-imagined as an alcoholic circus mentalist named Milton Fine, whose latent psionic powers are being enhanced and manipulated by an alien scientist named Vril Dox.

This is one of the stranger versions of Brainiac (we’ve seen several over the character’s nearly 70 years), but I thought it was a very cool ’80s-’90s take. Byrne also shows he’s just as good at the human drama Wolfman had been mining, with a powerful scene involving Lois being confronted by a father who blames her for his son’s death and insists Lex Luthor is a saint.

—

9. Superman #16. Byrne was on a roll with his classic villain revivals; this time, Byrne set his sights on Oswald Loomis, aka the Prankster. Byrne takes a similar turn with the Prankster as he did with Toyman: Loomis is disgruntled because WGBS, the TV station on which he has hosted a morning kids show for over 25 years, is cancelling his program. Now, he is using all the complimentary practical joke supplies he has been sent by sponsors over the years to stage one prank after another all over Metropolis.

Where the Toyman feels diabolical and dangerous, the Prankster feels fun and imaginative. Another solid post-Crisis re-invention. The last two pages begin teasing the final entry on this list, a real doozy.

—

10. The Adventures of Superman #440. This is a great “day in the life” type story, showing Superman preparing for a very important date. Some highlights include a meeting with Batman to discuss the scrapbook Superman left with him in Action #594 (leading to some very interesting revelations between the two); preventing a highway sniper from causing a gasoline tanker to crash into a fast food joint; and stopping by the farm to get a fresh cape from his mom to look as spiffy as possible for his date with an angel, which leads to…

—

11. Action Comics #600. Superman and Wonder Woman! The Man of Steel and the Amazon Princess! Clark has been dreaming/fantasizing about Wonder Woman ever since meeting her at the end of Legends, so this pairing was a year in the making. Their story starts as a date, but quickly becomes a superhero team-up thanks to Darkseid, who has decided to attack Mount Olympus. By the end of the story, Clark realizes Diana is out of his league and they resolve to be good friends, an awesome ending to the team-up era of Action Comics, which became the anthology series Action Comics Weekly with the next issue.

This is just the first story of an 80-Page Giant-style anniversary issue jam-packed with other great yarns: a Lois story that hints at the beginning of a relationship with Clark, until he is forced to blow it by leaving to play Superman; a Jimmy story where he has to rescue Superman; and a strange Man-Bat story (yes, Man-Bat) somewhat reminiscent of Superman’s final pairing with Swamp Thing in the late DC Comics Presents.

I went out of order and saved the best backup story for last: Lex Luthor has Maggie Sawyer come to his office to confront her with evidence of her sexual orientation (still a taboo subject at the time) and threatens to expose her. Maggie tells him he can’t intimidate her, leading him to slam his fist on his desk… and run screaming from his office in excruciating pain! A dump-truck full of ramifications that will play out over most of the Triangle Era stem from this moment. Numerous pin-ups from various artists serve as delicious window-dressing for this 50th anniversary celebration.

—

12. Superman #19. This is a “set-up” issue, in that it lays out five distinct plot threads to be followed up in subsequent issues of one Superman title or another: Cat Grant tries to seduce Jimmy Olson while drunk (leading to a confrontation with Perry in Adventures #442); Superman explores an alien spacecraft that has crashed in Metropolis’s West River and his powers start to disappear one by one (concluded in the aforementioned Adventures #442); and, Jimmy’s Mom visits the Daily Planet office and sees what appears to be a picture of her husband, who disappeared nearly 20 years earlier (see Adventures #443).

We also visit Lex in the recovery room after his hand has been amputated (see virtually every appearance of Lex Luthor for the next seven or eight years, bald or red-headed); and last, but not least, a mysterious red-headed woman of whom we’ve seen glimpses over the past few issues takes off from the Arctic, headed for Smallville (see the next entry on this list). Oh, and Professor Killgrave breaks out of prison (although that only takes five pages to resolve). One thing about Byrne: He can pack a lot into 22 pages…

—

13. Superman #21/The Adventures of Superman #444/Superman #22. I began my initial list of the best stories from Byrne’s time on Superman with his first monthly issue, and I’m ending this list with his last. These three issues comprise the Supergirl Saga, a sequel to the Pocket Universe Saga from roughly a year earlier. The mysterious woman found in the Arctic and headed for Smallville turns out to be the Lana Lang of the Pocket Universe (or is she?) come to our world to enlist Superman’s help against three Phantom Zone criminals accidentally released by that universe’s Lex Luthor, a red-headed good guy who has assumed the role of that Earth’s protector in the wake of his disastrous mistake.

Along the way, Superman is forced to pass judgment on the perpetrators of five billion murders, making a fateful decision that will eventually lead into the first major post-Byrne story arc, Exile. This story also introduces the new, post-Crisis version of Supergirl, a mainstay of the Superman books (and the DC Universe in general) until the re-introduction of Kara Zor-El in 2003. A hell of a send-off for the guy who re-invented Superman, and I will forever be in his debt for the foundation he laid.

—

MORE

— Dig This SNEAK PEEK Video That Shows Off SUPERMAN: THE MAN OF STEEL BY JOHN BYRNE ABSOLUTE EDITION. Click here.

— The TOP 13 SUPERMAN STORIES From JOHN BYRNE’s First 13 Months on the Man of Steel. Click here.

—

AARON HAMMONDS fell in love with comics and superheroes over 40 years ago; his passion was reignited in 2025 by James Gunn’s Superman. He resides in Pensacola, Florida, with his beautiful wife.

Author: Dan Greenfield

Share This Post On

12 Comments

  1. I’m pretty sure that “Ben DeRoy” is an anagram for “Beyonder.” The Miami Vice look was actually what the Beyonder looked like in Secret Wars II. I think this was another Byrne dig at Jim Shooter (writer of Secret Wars I and II), just as the Sunspot character in Legends was made to look like Shooter (and was a thinly veiled parody of Shooter’s character, Star Brand from the New Universe).

    Post a Reply
  2. I recently re-read the entire Byrne run about a year or so ago. I was 13 in 1986, and these are the comics that made me a Superman fan. No disrespect to other creators, but even as a 13-year-old, I had zero interest in the Julie Schwartz era of Superman comics. But John Byrne brought a swagger and a self-confidence to the character that I liked then and like even more today. The Man of Steel mini-series, for all of its flaws, is the high point of the Byrne run and, for my money, still the gold standard that I measure all other Superman comics against.

    All that said, I feel that the second year of the Byrne run wasn’t as good as the first year. There are a lot of things that I like about his second year (the long-running subplot about Martha’s scrapbook that eventually leads to Batman discovering Superman’s secret identity; the meet-up between Lois and Lana and the explanation of how the Kents secretly raised Superman as Clark’s brother; the radical reinvention of Brainiac which, to this day, is still my favorite version of the character; the World of Krypton mini-series). But overall, there were more misses than hits in year two. The Supergirl saga, after a great build-up, ended up being a total dud for me. A lot of the reintroductions of classic characters (Toyman, Prankster, Mr. Mxyzptlk, Lori Lemaris) were far less interesting than the more radical reinventions of classic characters that Byrne reintroduced in year one (the redesigned Kryptonians, Lex Luthor, Bizarro, Metallo). And the much hyped Superman and Wonder Woman team-up in Action 600 was a huge disappointment.

    Still, for all its faults, this remains the only Superman run that I own. It’s imperfect, but for me, it’s the best we’ve ever gotten.

    Post a Reply
    • Thanks for reading, Daniel. I was also 13 when Byrne rebooted Superman; I suppose that’s a big part of why this version resonates so deeply with me.

      I used to feel the same way as you, that the 2nd year is the lesser of the 2, and I suppose that argument has some merit, but I think part of that stems from Byrne’s growing dissatisfaction with his relationship with DC; their lack of marketing support for his take on the character is a big part of why he left. Still, I would stack the worst of his work against anything from the Bronze Age; I’m a big fan of 1970s Superman, but by the ’80s, the Man of Tomorrow had grown beyond stale…

      Post a Reply
  3. Dear Dan,
    May you please explain Millenium to me? Also, explain why DC is doing an omnibus of this material?

    And in seriousness, would love an overview of the new Man of Steel absolute.

    Post a Reply
      • Thank you. But it would also be cool to have an overview of you going through it yourself when a copy is in your hands.

        Post a Reply
    • I said it before & I’ll say it again: the less said about Millennium, the better lol…

      Post a Reply
  4. Thanks for all of this Aaron. I was the same age as you were when this came out, so I was very excited by Byrne’s fresh new take on the character and I consider his run as a high-water mark for Superman. I am pretty much in agreement with your review, but I wanted to throw in the Annuals that came out at that time which I thoroughly enjoyed and which I think still stand up very well today. We got the very first Action annual, by Art Adams no less. There was also the first all-original material Superman Annual, bringing Ron Frenz into the DC universe. And let’s not forget the Adventures Annual which I think had Dan Jurgens first published Superman work. I’d love your thoughts on those books, which I think qualify for the second year of the overall Byrne run.

    Post a Reply
    • THANK YOU for bringing up the annuals, Wade! Trust me, I wanted to include the Action & Superman annuals so badly, but I felt it was a bit unfair since those are longer stories & have more room to shine, plus the fact that there were so many monthly issues I loved (it really was an embarrassment of riches). I was never a huge fan of the Adventures annual, however; aside from it being Jurgens’s first work on Superman as the lead hero, it just didn’t really do much for me. Superman & Batman fighting vampires; that was my jam…

      Post a Reply
    • 1985’s Superman Annual 10, ‘For the Man Who Has Everything’, was the first all-new annual; and the couple before that had material new to the US.

      Post a Reply
  5. Thanks for a fun piece. As regards the Lois and Lana Action issue, I’d say the inks of legendary newspaper strip artist Leonard Starr made the issue extra interesting.

    That Lori issue was beautiful, but he really should’ve had it credited as an adaptation of the original, so close was it. The biggest change he made was removing Lori’s blouse.

    Post a Reply
  6. I think Superman Annuals 9 and 10 were also all-original material. What I meant to write was that the first Byrne-era Superman Annual was the first Superman Annual with a number 1 on it to be all- original, but I got carried away in the moment and the memories of excitement at those issues, and forgot to add the number 1.

    Post a Reply

Leave a Reply