THE SIMPSONS’ YELLOW ALBUM: When I Ripped Off THE BEATLES — Then Got Ripped Off to the Tune of $14.8 MILLION

MORRISON MONDAYS!

By BILL MORRISON

Today, I’m remembering a piece I drew a few decades ago, the cover to The Simpsons record titled The Yellow Album. Though its title is a nod to the Beatles “White Album,” the art is a parody of the Fab Four’s earlier release, Sgt. Pepper’s Lonely Hearts Club Band.

In days past, I remember listening to the opening line of the Sgt. Pepper’s album, “It was twenty years ago today…” and thinking, wow, twenty years… an unimaginably long time. Now it seems like a blip, especially when you consider it’s been 59 years (tomorrow) since that groundbreaking collection of songs was released in the United States, and popular music, as well as album cover art, changed forever.

The album’s songs were a catchy, experimental assortment that combined the usual rock/pop Beatles sound with a variety of other musical styles, including British music hall, avant-garde, circus music, vaudeville, and classical Indian music. This potpourri of sounds captivated the youth of the world and heralded 1967’s psychedelic “Summer of Love.”

Likewise, the cover by pop artists Peter Blake and Jann Haworth, which depicts the Beatles in candy-colored 19th century marching band uniforms posing in front of dozens of celebrities and historic figures, fascinated the record-buying public. This iconic image set a new standard for how rock records would be packaged and marketed.

A design as striking and unique as the Sgt. Pepper cover is ripe for parody, and Frank Zappa and the Mothers of Invention were the first to lampoon it with an image on the inner sleeve of their 1968 album, We’re Only in It for the Money. The second such satire came only 30 years later when The Simpsons released its second comedy music collection, The Yellow Album.

I had worked with Steve Vance and Cindy Vance to create the album art for the first Simpsons record, The Simpsons Sing the Blues in 1990, and the three of us were also hired to produce the artwork for the follow-up recording, which was to be released in 1993.

Unfortunately, the recording was shelved for various reasons and didn’t see the light of day for five years. But in 1996, I got a call from The Simpsons’ production offices, asking if they could borrow my original album cover art to use as reference for a couch gag. The resulting sequence opened the Season 8 episode “Bart After Dark” on November 24 of that year.

The Yellow Album was finally released exactly two years later on November 24, 1998, but it suffered from unfavorable reception.

The cover art did have a second life as a limited edition cel that came with a legend to help identify all the characters. And notoriously, the pop artist known as Kaws traced the cover and made a few of his own additions to create his painting titled “The Kaws Album.” The artwork made news in 2019 when Sotheby’s auctioned it in Hong Kong for $14.8 million dollars.

For me, the image remains a favorite of my early Simpsons drawings, and I still retain the pencil art, which I mysteriously drew with blue and magenta colored pencils. I sold the original color art several years ago to a friend and collector. I wonder how much that’s worth!

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— BART, I AM YOUR FATHER: A Simpsons STAR WARS Anniversary Salute. Click here.

— The BATWOMAN-Inspired YVONNE CRAIG BATGIRL Cover — Now With Original 1956 Trade Dress. Click here.

Eisner winner BILL MORRISON has been working in comics and publishing since 1993 when he co-founded Bongo Entertainment with Matt Groening, Cindy Vance and Steve Vance. At Bongo, and later as Executive Editor of Mad Magazine, he parodied the comics images he loved as a kid every chance he got. Not much has changed.

Bill is on Instagram (@atomicbattery) and Facebook (Bill Morrison/Atomic Battery Studios), and regularly takes commissions and sells published art through 4C Comics.

Author: Dan Greenfield

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2 Comments

  1. The most memorable pre-Simpsons parody of that cover for me at least was Rhino’s “Golden Throats” compilation, where I had the “pleasure” of hearing the “music” of William Shatner for the first time.

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