INSIDE LOOK: A tribute to the late artist’s timeless contributions to mutantkind…
Roy Thomas’ Alter Ego #163 is out Feb. 12 from TwoMorrows and this issue is dedicated primarily to artist Dave Cockrum’s contributions to comics.
There’s a vintage interview with Cockrum and his wife Paty, as well as several pieces that look at various aspects of the artist’s career.
Just check out the table of contents:
For our regular EXCLUSIVE EXCERPT, however, I’m taking it from the top, with editor Roy Thomas’ opening column about Cockrum’s substantial contributions to the form — and Marvel in particular.
By ROY THOMAS
Dave Cockrum was one of a number of artists I’m grateful I got to know at Marvel, at least slightly, near the start of their meteoric careers, either when I was Stan Lee’s associate editor or as the company’s editor-in-chief in the first half of the 1970s.
Of course, by the time he deplaned at Marvel, Dave had already made a name for himself as artist of DC’s Legion of Super-Heroes, whose popularity he had boosted with his powerful Kirby- and Adams-influenced artwork.
Dave threw himself into everything with an enthusiasm that was inspiring. At some early stage, though I’ve forgotten the incident myself, he apparently showed me his sketchbook full of DC-rejected proposed Legionnaires, some of whom would soon form the bases of Marvel heroes.
I’m told one of the designs he showed me was for a guy he called The Wolverine—though, if so, I don’t feel it had any influence on my conceiving a Marvel character of that name a bit later, since I’d been intrigued by animals since childhood and was as knowledgeable as Dave about what a wolverine was. What is undeniable, though, is that Dave’s contribution to Wolverine was the look that lay beneath his mask. Certainly Logan’s distinctive visage was one of several aspects that helped propel the character to greatness.
I do recall the 1974 day I took Dave out to lunch to talk with him about his drawing a projected X-Men revival. We went to a restaurant I liked, in the General Motors Building across the street from Marvel’s Madison Avenue digs—one in which you ate your lunch sitting in facsimiles of early 20th century automobiles. Dave remembered me as eating a cheeseburger—no doubt accurately. I suspect he showed me, that day, still more drawings of what were now prospective mutants rather than Legionnaires. I was mostly content, however, to leave to him and the writer I’d designated (Mike Friedrich) to decide which costumed stalwarts would help sell the new X-Men in foreign countries—the ostensible premise for the revival, after all. I could always weigh in later, if need be.
Soon afterward, I left the editor-in-chief job, and after a brief hiatus, new color-comics editor Len Wein appointed himself the X-Men scribe, and he and Dave set about to people the upcoming mag with new mutants who had no relation whatever to countries where Marvel hoped to sell additional comics. Well, that was Marvel’s business now—and I knew Len and Dave would make a good job of it. What I didn’t know was that soon-to-be second scripter Chris Claremont, working with Dave for the mag’s first couple of years, would take the new X-Men to heights undreamed of by Lee and Kirby when they’d co-created the series in 1963!
But I certainly wasn’t startled by what Dave achieved in his time on X-Men—and I’d have been even less surprised if I’d seen all the Edgar Rice Burroughs-influenced artwork he produced circa 1969-70 for a succession of fanzines, in particular one fittingly titled The Barsoomian (which means “The Martian” in ERB-speak). So I’m happy that, through the good offices of Dave’s one-time correspondent Paul Allen (and Dave’s wife Paty), we’re able to spotlight in this issue a cornucopia of ERB illustrations from the artist’s early days.
The only drawback? Since most of it was never colored, this issue becomes easily the least “colorful” edition of Alter Ego since we went to “full-color” more than 50 issues ago. But we weren’t about to let that stand in the way of your (and our) having a front-row seat to witness the early development of one of the 1970s’ most important comics artists—Dave Cockrum.
So what say we all just sit back and enjoy the ride—while we add our own cataclysmic colors, in the privacy of our own marvel- beholding minds’ eyes!
Alter Ego #163 is due Feb. 12. It will be available in comics shops but you can also get it directly through TwoMorrows. Click here.
— EXCLUSIVE EARLY LOOK: Dave Cockrum’s X-MEN Artifact Edition. Click here.
— 13 COVERS: A DAVE COCKRUM Birthday Celebration — 2018 Edition: The X-Men. Click here.
February 11, 2020
What a really fitting tribute to Dave Cockrum.
February 11, 2020
Now I add “The Barsoomian” to my list of old fanzines I collect
February 11, 2020
Some of my all time favorite people in comicdom are mentioned here. Thomas, Claremont, Wein and of course Cockrum. His work in the Legion of Super-Heroes was phenomenal as it was with the X-Men. If Byrne hadn’t taken his place I may have lost interest. But X-Men has always been one of my Marvel favs in comics and movies.
February 12, 2020
I knew Dave in the late ’70’s and Early ’80’s – he and Paty were wonderful creative people. He would be pleased to know that his works are still be recognized in the 2000’s !
September 7, 2022
Dave Cockrum is a massive part of that era of X-Men history which damn-nearly lost me- the mid-Seventies. I was, and still am, a MASSIVE member of the “Old X-Men” faithful. The New X-Men struck me as being just a tad too politically-correct, as well as simply being too uninspired and one-dimensional in relation to such legendary icons as the Angel, the Beast, the Iceman, and Havok. Also, I had a serious funnybook crush on Marvel Girl, and Marvel was bringing all this magnificence to an end. When I first heard the announcement about the New X-Men and the disincorporation of the old X-Men in the ‘coming features’ segment of “Foom” Magazine#8, I was deeply insulted to the point of depression. Several months later, in early 1975, the New X-Men show up, and make a controversial splash. After reading the first few issues, ( Giant-Size X-Men#1, Uncanny X-Men#’s 94-96 ) I dropped the title for three reasons: 1) I was trying to grow out of comics. ( good luck with that ) 2) I hated the New X-Men 3) I LOVED the original X-Men, and I hoped that if I could persuade my fellow comics-reading friends to boycott the New X-Men, that Marvel would eventually get the economic message and have most or all of the New X-Men killed, ( like Thunderbird ) forcing their predecessors to realize they must accept their destiny and reassume their roles as the ( ONLY ) X-Men! The exact same thing was happening simultaneously over in Captain America, when Cap retired his identity to become a non-nationally affiliated crime-fighter named the Nomad, which resulted in a much-too young boy trying to fill Cap’s boots, and getting himself killed by, of course, the Red Skull, for his valor! A few more years roll by, and although I fail at trying to cure myself of my funnybook addiction, I nevertheless maintain my indignant attitude towards the New X-Men! I read their adventures in places that sell comic-books without buying them so I can keep up with what is happening with them without financially endorsing them, as well as read my friend’s copies of them, when they would let me. What finally happened across this period of time was that the character of Storm was beginning to work on me. Her regality, presence, and sensational body were all beginning to wear me down! Finally, by the time John Byrne took over the book in 1978, and the series went to monthly publication, I could no longer resist purchasing the series, because, by 1978, the creative team of Claremont and Byrne had made the ( New ) X-Men the number-one comic on the shelves! I’m stubborn, but not stupid! I eventually went on to become quite a booster of the New X-Men, ( although they will undoubtedly never replace the original team in my heart ) and Dave Cockrum and John Byrne’s breathtaking renderings of the X-quisite Miss Ororo most definitely figure into my epiphany! So, it is not unsafe or inaccurate to say that, without the involvement and contributions of the late, great Dave Cockrum and his artistic take on the magnificent Storm, I would have totally missed the boat on the New X-Men, and what a shame that would have been! I still maintain that Storm and the Angel would make for One Beautiful Couple, if Marvel and they themselves could just get it worked out! X-Celsior!